About The Book
The Performer’s Voice, Second Edition presents a comprehensive approach to the prevention, diagnosis, and treatment of voice disorders as well as up-to-date voice care and injury prevention information–specifically related to actors, singers, and other voice professionals. This second edition is completely updated with six new chapters and contributions from leading voice professionals.
Written in an accessible, straightforward style, The Performer’s Voice, Second Edition appeals to medical professionals, vocal coaches, and professional performers. This text not only serves as an effective resource for practitioners and clinicians who provide state-of-the-art treatment to voice professionals, but also provides professional vocalists and coaches with insight into what to look for when seeking treatment.
The authors have dedicated their careers to voice disorders and prevention of voice injury as well as education and research to advance the science and art of voice care. The diversity of authors’ backgrounds supports the importance of a multidisciplinary approach in the care of voice disorders.
About The Authors
Dr. Michael S. Benninger is the Chairman of the Head and Neck Institute at The Cleveland Clinic and is a Professor of Surgery at the Cleveland Clinic Lerner College of Medicine of Case Western Reserve University. The Head and Neck Institute comprise the specialties of Otolaryngology, Audiology, Speech and Language Sciences, Oral Surgery and Dentistry.
In addition to his work at the hospital, Dr. Benninger has been very involved in Regional, National and International medical organizations. He is the President of the International Association of Phonosurgery, is the immediate past-President of the American Laryngologic Association, and Vice-President and a member of the Board of Directors of the Voice Foundation. He served on the Board of Directors of the American Academy of Otolaryngology-Head and Neck Surgery (AAO-HNS) for 12 years, having been a former Vice President and Chairman of the Board of Governors of that organization. He is also a Past-President of the American Rhinologic Society and the Michigan Oto-Laryngological Society. He is the former Editor-in-Chief of the Journal, Otolaryngology-Head and Neck Surgery, which is the largest peer-reviewed journal in the world for that specialty. He has served on the Residency Review Committee for Otolaryngology and as a member of the Medical Advisory Board for WebMD. He is the Past-Chairman of the Steering Committee for the Sinus and Allergy Health Partnership.
Dr Benninger has authored or edited 7 books, including his most recent books, Botulinum Toxin Injections in the Head and Neck and The Singers Voice. He has 2 additional books in press. He has also has written over 70 book chapters and over 175 scientific articles, focusing primarily on voice care and laryngology, nasal and sinus disease and health care management. He has lectured extensively across the country and throughout the world.
A graduate of Harvard University, Dr. Benninger received his medical degree from Case Western Reserve University in Cleveland, Ohio. He completed his residency at the Cleveland Clinic Foundation.
Thomas Murry, PhD, CCC-SLP, is Professor and Co-Director of the Voice and Swallowing Center in the Department of Otolaryngology–Head and Neck Surgery at Loma Linda Health University and Adjunct Professor in the Department of Otolaryngology–Head and Neck Surgery at Drexel University College of Medicine. Dr. Murry received the Honors of the American Speech-Language-Hearing Association in 2010, the highest honor of the association, and also received a Presidential Citation from the American Laryngological Association. Dr. Murry is recognized throughout the world for his clinical, education, and research contributions to voice and swallowing disorders. He has authored over 150 peer-reviewed publications in national and international journals. He has presented over 600 lectures at national meetings and in meetings in more than 35 countries. He has championed the need for combined management of voice and swallowing disorders among otolaryngologists, pulmonologists, and other medical professions.
Michael M. Johns III, MD, graduated from Johns Hopkins School of Medicine and completed his residency in otolaryngology at the University of Michigan. He then pursued a fellowship in laryngology at the Vanderbilt Voice Center. Dr. Johns is the director of the Emory Voice Center at Emory University, pursing research, teaching, and clinical care, with a specific interest in geriatric laryngology and the aging voice. He is also the chair of the Advisory Board of The Voice Foundation. Dr. Johns has published more than 90 peer-reviewed articles and 3 textbooks.
Table Of Contents
Part I. Overview
Chapter 1. Introduction
- Michael S. Benninger and Thomas Murry
Chapter 2. Music and the Brain
- Iva Fattorini, Neil Cherian, and Lisa M. Gallagher
Chapter 3. History of Professional Voice Care
- Gayle E. Woodson
Chapter 4. Anatomy of the Vocal Mechanism: Structure of the Voice
- Nicolas E. Maragos
Chapter 5. Physiology of Voice Production: How Does the Voice Work?
- Jack Jiang
Chapter 6. Normal Voice Maturation: Hormones and Age
- Jean Abitbol
Chapter 7. The Pediatric Voice
- Gillian R. Diercks and Christopher J. Hartnick
Chapter 8. The Aging Voice
- Chad Whited, Jarrod Keeler, Leda Scearce, and Seth Cohen
Chapter 9. Artistic Vocal Styles and Techniques
- Sharon L. Radionoff
Part II. Diagnostics
Chapter 10. Case History, Interview, and Voice Handicap Assessment
- Thomas Murry and Michael S. Benninger
Chapter 11. Examination of the Singer
- Peak Woo
Chapter 12. Aerodynamic and Acoustic Voice Measurements
- Philippe H. DeJonckere
Chapter 13. Perceptual Attributes and Assessment of the Singer’s Voice
- Rahul Shrivastav and Judith M. Wingate
Chapter 14. Reflux and the Performer’s Voice
- Albert L. Merati
Chapter 15. Acute Assessment of Professional Singers
- Josef Schlömicher-Thier and Matthias Weikert
Part III. Medical Treatments
Chapter 16. Medications: The Positive and Negative Impact on Voice
- Kelsey Stamnes, Tanya K. Meyer, David M. Alessi, and Audrey Crummey
Chapter 17. Complementary and Alternative Medications and Techniques
- Michael D. Seidman
Chapter 18. Vocal Emergencies
- Joseph P. Bradley and Adam M. Klein
Chapter 19. Medical Problems in Performers
- Laura H. Swibel Rosenthal
Part IV. Behavioral Treatments
Chapter 20. Training and Teaching the Singer
- William D. Riley and Linda M. Carroll
Chapter 21. Voice Therapy for Benign Vocal Fold Lesions and Scar in Singers and Actors
- Mara Behlau and Thomas Murry
Chapter 22. The Alexander Technique and Other Strategies for Dealing With Vocal Tension
- Janet Madelle Feindel
Chapter 23. Treatment of Injured Singers and Professional Speakers: The Singer/Actor, Singer/Dancer, and Singer/Musician
- Jeannette L. LoVetri
Chapter 24: Performance Anxiety: Identification, Assessment, and Treatment
- Philip J. Lanzisera
Part V. When Surgical Treatment is Necessary
Chapter 25. Surgical Anatomy, Planning, and Consent
- Michael S. Benninger
Chapter 26. Microlaryngoscopic Procedures and Operations
- Seth H. Dailey and Charles N. Ford
Chapter 27. Office-Based Procedures in Performers and Other Vocal Professionals
- Paul C. Bryson
Chapter 28. Surgery (Nonlaryngeal) for the Professional Vocalist
- Glendon M. Gardner and William G. Young
Chapter 29. Postoperative Voice Care of the Singer
- Robert H. Ossoff and Thomas F. Cleveland
Part VI. Building a Professional Voice Practice
Chapter 30. The Professional Voice Practice
- Robert T. Sataloff and Claudio F. Milstein
Chapter 31. Medical-Legal Implications of Professional Voice Care
- Robert T. Sataloff and Michael S. Benninger
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.